Even the game's most outre moments allow you to plough ahead without too much thought, though. Now and then you'll get a riff on the basic action format that brings a moment to life, too: cutting an enemy's hair rather than shooting them to pieces, stuffing paper down the toilets of a business you want to soften up enough so that they'll sell it to you. Now and then you'll get a Wario-style mini-game as you pump iron or inject ink into one of those overpriced cartridges. It's astonishingly brisk, sending you from speedboat to jungle shootout to industrial espionage to music recording studio in a matter of minutes. You drive somewhere, you shoot someone or punch someone or smash something up, and then you drive somewhere else. And the missions - there are over 100 of them - are short, punchy affairs. It's entertaining enough, I think, and if you tire of it you can hold down a button to speed through cut-scenes at double time anyway. The storyline is frothy and glib, taking on the myriad annoyances of the modern world, from expensive printer cartridges to the cruel T&Cs on a competition flyer's small print. Nothing in this game contains much in the way of friction. Shakedown's taken the clicker mentality to its core, I think. The following afternoon, when I finally hit the end-game and looked back at my stats I owned 334 of the 415 available buildings in town, and I was making just over three million every 24 hours. After one real-world day of playing, I owned a fairly small proportion of the map, and I was making about half a million every in-game day. And the more you earn, the more of the map's businesses you are able to buy up, and benefit from their daily revenue.
But as well as being a game about stealing cars, running people down, and shooting everyone you meet to pieces, it's also a bit of a clicker. Shakedown: Hawaii is more of the same - more open-world crime, with 16-bit graphics this time, as a trio of characters rebuild a decrepit business empire using deeply questionable tactics. Shakedown: Hawaii is the latest game from Brian Provinciano, whose previous work, Retro City Rampage, de-made GTA for the era of 8-bit consoles and then loaded its open-world with topical memespeak gags and labour-of-love gimmicks. A brisk free-roaming action game with a clicker-ish heart.
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